Wednesday, April 08, 2009

Tech N9NE, MURS coming to Salinas


Can't say I'm a big fan, but it's definitely worth noting that KC's own Tech N9NE is heading our way next month. He'll play May 10 at Fox Theater in Salinas, part of his Sickology 101 Tour.

Whether you like his stuff or not, you absolutely have to respect Tech N9NE's hustle. He's been doing it DIY style for a long time now, and is in that range of troubadour MC's like Andre Nickatina and Atmosphere, artists who have gained a strong following through relentless touring. His style is grimy and full of hardcore imagery, sometimes violent, sometimes derogatory, but unique and energized.

He was announced as one of the artists on the Rock The Bells tour, where he'll share a stage with the likes of Sage Francis and Eydea & Abilities. Somehow he fits right in with them.

Also coming along for the ride is none other than MURS, which is definitely a trip. I don't know how these guys came together on a tour, but it'll be cool to see MURS in town. Well have to hook something up for an interview. Stay tuned.

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Rock The Bells Lineup Announced


Nas and Jr. Gong will headline Rock The Bells this year, it was announced on Tuesday.

Also on the bill are The Roots, Common, Big Boi, KRS-ONE, Reflection Eternal (Talib Kweli & Hi-Tek), Slaughterhouse (Royce Da 5'9", Crooked I, Joell Ortiz and Joe Buddens) and a House of Pain reunion (!).

This year's bill is definitely solid, with the return of The Roots a nice touch. Also Slaughterhouse will be dope, and House of Pain is also a classy nod (I wonder if Everlast will do any of his solo, post-H.O.P. material).

As far as headliners go, Nas and Jr. Gong falls a bit short of the Tribe Called Quest reunion from a year ago, but given they''ll have a new album of material to perform together, plus the combination of their respective catalogs should make for a great set (although personally, I would have preferred The Roots as the top bill).

My only sorta gripe is that they couldn't get Atmosphere on there. I think Slug and Co. deserve a slot on that lineup, given their success over the past year. Oh well, there's always next year. Regardless, this show will rock. I can't hardly wait.

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Monday, April 06, 2009

SalinasRadio.com


SalinasRadio.com is a pretty dope streaming radio station that I discovered over the weekend. They got some great Salinas-area bands in rotation. As soon as I started streaming it yesterday, Rum & Rebellion came on. Classic dope.

I should have more on the station this week. I've contacted the man in charge, Michael Rodriguez, and I hope to have some more news to come. In the meantime, check them out by clicking here.

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"The Beat @ Wave St." w/MC Lars


The latest episode of "The Beat @ Wave St." brings us the mad man himself, MC Lars. Fresh off the release of his latest CD, "This Gigantic Robob Kills," Lars is really putting it out there this go-round, with guest shots from the likes of Weird Al Yankovic (on accordion!) to members of The Aquabats. Check the video in the media player to the right, as well as Lars recent video for the single "Guitar Hero Hero."

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Saturday, April 04, 2009

Restoring the glory: Herald wins Good Ol' Days Hoops Tourney

The champs are here! Just got word that The Herald team took home the grand prize in the PG Good Ol' Days Media Hoops Challenge. It's been three years since we last took the title. The win was a clean sweep, including a wins over the MC Weakly, Spammin' 97.9, the Califorfeitin, and KSBW Fraction News 8.

Now, not only do we got the best news team in town, but we'll ball all over you too. What!?!

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Thursday, April 02, 2009

MC Lars speaks on Christopher Marlowe vs. Kanye West



Longtime friend of "The Beat" MC Lars gave a presentation on the history of hip-hop music and culture, as part of the 2009 Stevenson Symposium "The Power of Words" at Stevenson School. During the presentation, he broke down the stylistic similarities between Christopher Marlowe's classic "Come With Me and Be My Love," and Kanyeezy's "Stronger." Both adhere to the 4/4 rhyme pattern that constitute iambic tetrameter. Interesting stuff.

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Why do famous people get clothing lines?

Can't really pinpoint what brought up this topic — probably the rerun of "Chelsea Lately" where the one girl from "The Hills" was trying to plug Lauren's (or Audrina's?) clothing line. Chelsea informed her the line had been discontinued, which in Spanish translates to "canceled."

That got me to thinking — celebrities have been pasting their names on marginally trendy fabrics that wind up in the dollar racks at Marshall's for some time now. But why does this continue to happen? And why do people who don't really know how to dress themselves continue to get clothing lines?

Cases in point: Andre 3000 and Kanye West. Both those guys have unique styles that suit them, but if you're a parent, do you really want your kid dressing like them?

Do you really want your kid dressing like a circa 1905 white racist gentleman in knickers and a newboy hat like Mr. 3-Stacks?

Do you really want your kid sporting a Full Force-style afro-mullet and neon-colored sports blazers like 'Yeezy?

And if you are that "cool" parent who is willing to buy your kids these designer threads, are you willing to be the parent of that kid who continually gets his butt kicked at school for dressing weird?

Just a thought.

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Tuesday, March 31, 2009

Tuesday Flashback: "Low" by Cracker


"Alt-Rock" was my ish back in high school. I cannot front.
Looking back now, it's easy to see how it was another corporate brand, but some of the music still endures. Like "Low" by Cracker.
I went internets digging for this joint last year, on one of my usual nostalgic turns. This song still works. And watching the video with Sandra Bernhard is still pretty funny, in an un-ironic way even.
I mention all of this because I interviewed Johnny Hickman of Cracker last week. He and lead singer David Lowery (the shirtless guy in the vide0) are coming to Monterey Live Friday night, to perform an acoustic set.
Hickman was a really great interview and had a lot of fond recollections of the old days. Looking back to that era, it's funny to see what bands are still left (Radiohead, Flaming Lips, Weezer to name a few) and see where Cracker fit in. They're in there somewhere, sort of.
Doesn't matter anyway. "Low" is and always will be a great song.

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Monday, March 30, 2009

"The Beat @ Wave St." w/ Sledge Grits Band


New ep of "The Beat @ Wave St." with local heroes The Sledge Grits Band. These girls are really something special, and I wish them all the luck in the world.

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Video: California Poetry Out Loud finals featuring PG High's Kylie Batlin

Two very long but stellar videos have emerged from the California Poetry Out Loud finals. Pacific Grove High senior Kylie Batlin took second place in the state competition, a huge honor.
Also, the entire program will be re-broadcast on local Comcast channel 21. The first re-broadcast will be at 7 p.m. Friday, April 3, and again at midnight and 6 p.m. April 4.
Below are the videos of the competition in their entirety, which run a good three hours each.


CA. Poetry Out Loud Finals pt. 1


CA. Poetry Out Loud Finals pt. 2


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Friday, March 27, 2009

Re-broadcast of PG High's Kylie Batlin on Ca. Poetry Out Loud

A re-broadcast of the 2009 California Poetry Out Loud, featuring Pacific Grove High School senior Kylie Tressa Gael Batlin, will air at 6:30 a.m. Saturday, March 28 on Comcast channel 21.

Yeah, that's really early, but if you can set your DVR, it would be worth watching. Kylie will be performing @ The Rubber Chicken Poetry Slam April 8. Your girl deserves all the props in the world for taking second at the Statewide event.

You can link to the California Arts Council page with news on the 2009 California Poetry Out Loud here.

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Congrats to Ralph Ward @ Alvarez High

This is out of our lane @ "The Beat," but I want to send out a special congrats to my old friend Ralph Ward, who was recently named head coach of the Everett Alvarez High School varsity football team.
Ralph was nice on the field during his high school/college years, and he comes from a great football lineage. If anyone can help turn things around @ Alvarez, it's that man. Even though I'll be rooting against him once a year when my Alisal Trojans face the Eagles, I'll be cheering for his success.

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Thursday, March 26, 2009

Mos Def really, really likes MF Doom


An old friend of mine used to have used to have this theory that any good rapper knows the lyrics to their favorite hip-hop songs. I agree. I've always had a good hold on my favorite lyrics. Something I pride myself on.
Mos Def appears to subscribe to this line of reasoning. In this video, he recites a whole bunch of DOOM lyrics. He also says out loud what a lot of us have been thinking - Wayne ain't all that.
Videos like this are the reason why I love the internets.

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Jacob Tsypkin @ The Rubber Chicken Poetry Slam 3.25.09


My boy Jacob Tsypkin performing his latest piece @ The Rubber Chicken Poetry Slam.

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Wednesday, March 25, 2009

Photo: 50-ft. tall George Thorogood smashes through Old Town Salinas, threatens to destroy locals with giant guitar



Your boy George is coming to Salinas in June. You have been warned.

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Art Song Festival 09 Commercial



Salinas's Art Song Festival takes place Saturday, March 28, all day long in Old Town Salinas. Lots of live music, dancing, graffiti demonstrations, and free family fun. Above is one of the web commercials for Art Song. Support local artists!

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George Lopez talk show = it's about time!

Some television suits finally got it right and gave local homeboy George Lopez his own talk show. Bout dag time!
I can't think of anyone better suited to diversify the late (white?) night stratosphere. Late night TV has long been a boys club —Arsenio was the last to try and spice up the late night with any success. But the world should be ready for Lopez, who has paid his dues and earned the respect of his peers.
Of course, we can expect no less than 100,000 commercial ads promoting the show during the baseball playoffs on TBS (where the show will air), but that'll be a good thing. Latinos love baseball, and we should be pretty determined to make this a success.
Only bad thing I can think of — the show airs @ 11 p.m., opposite "Chelsea Lately" which is appointment TV in my house. Sounds like a late night war for the remote! AP story below:

George Lopez to host late-night talk show on TBS
|By DAVID BAUDER|
|AP Television Writer|
NEW YORK (AP) — Comic George Lopez will start a new talk show on TBS next fall, saying he wanted to reach a diverse audience that generally isn’t spoken to in late-night television.
The hourlong show, which doesn’t have a title yet, will air Monday through Thursday at 11 p.m.
TBS is moving to establish a new talk show at a time of change in the genre. Jay Leno is moving to prime-time at NBC, Conan O’Brien takes over the ‘‘Tonight’’ show in June and Jimmy Fallon recently started in O’Brien’s ‘‘Late Night’’ time slot.
‘‘I’m a pretty visible Mexican-American guy who has managed to cross over,’’ said Lopez, who had a six-year run with his own ABC sitcom. ‘‘I’m not a singer. I’m not Antonio Banderas. I’m a guy who came up the hard way on the street, and I speak to people who have the same life story.’’
Late-night television, and TV entertainment in general, ‘‘is a place where everything is geared toward Caucasians,’’ Lopez said.
He said he wants to be inclusive, not divisive, in much the same way as Arsenio Hall’s early-1990s talk show.
Lopez and his producers approached TBS with a pilot episode filmed on an outdoor soundstage, with Eva Longoria, Dane Cook and Samuel L. Jackson as guests. Lopez sat audience members close to the stage, let them ask questions and didn’t sit behind a desk.
‘‘The music was from salsa to Led Zeppelin,’’ he said. ‘‘Look, you can either go to Nieman Marcus or you can go to a flea market. When you go to a swap meet, there’s just a ground-level feel that you can find anything there. At Nieman Marcus, you’re not going to find tube socks and pliers. This will be a flea market feel.’’
TBS was sold by the pilot, said Michael Wright, the cable network’s programming chief.
‘‘They took George Lopez and his style and his spirit and this is the best way to do this,’’ Wright said. ‘‘Rather than jamming him into a show, they built a show around his personality. They basically made it a street party.’’
Besides sensing that the time may be right to introduce a late-night talk show, TBS was looking into an uncertain future for its typical late-night fare. The network has done well then with reruns of ‘‘Seinfeld’’ and ‘‘Sex and the City,’’ but when viewers eventually tire of those, there are few network sitcoms that eventually will hit the syndication market to replace them.
TBS also has a relatively diverse audience. It is basic cable’s top-rated network among young Hispanic adults, in large part because of its coverage of major league baseball playoffs. And TBS’ ‘‘House of Payne’’ was the top series last fall among young black adults, according to Nielsen Media Research.
Lopez’s show, which will be produced in Los Angeles, will premiere in November to take advantage of promotion during the playoffs and because that month usually brings a bumper crop of celebrities available to talk shows to pitch new projects, Wright said.
Lopez said he had already received a message from Longoria asking to be a guest on his first show.
‘‘I told her that if she managed to get pregnant and announce it on my show she’d be in the pole position to be my first guest,’’ he said.

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Monday, March 23, 2009

Kanye, Com, Badu performing @ SXSW



I read about this show on Pitchfork.com, now this video surfaces and I wish I could have been there. SXSW 2009 is over, and by most reports it was a good look for the music industry and fans of music.

One of these days, I hope I can get out there. This just looks like fun stuff.

EDIT: Watching this video, it occurred to me that it must be strange for Com to rock a stage with his ex, after a) she just had a baby with a lesser-known rapper (Jay Electronica) only one month ago and b) this is the biggest song of his career, presumably written for her. In any event, they look great rocking together and that song is still one of my all time favorite hip-hop love songs. Don't know why I bother sweating that small stuff.

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Jokes, People

Editor's Note: I recently submitted some jokes to a local comedian. He didn't use any of them, but it's definitely a working relationship in progress. I'll post the stuff he doesn't use on my blog from time to time. This is just fun exercise for me.

Chris Brown and Rihanna are in the news everyday, are they together, are they split up. I'm not here to talk about guilt or innocence, because anyone who's been in a real relationship knows that things can get out of hand. But if anything, this should be a lesson to every guy out there.

Men, we have only two options, either be true to your girl, don't ever lie to her, and just be honest, or if you're gonna just be a nasty, low, trifling, two-timing dog, don't own a cell phone. Plain and simple.

Cause think about it, Chris got caught with a 3-page text from his lover, and that's what set Rihanna off. Now first of all, who has the time and the hand eye coordination to type out a 3-page text? Was she texting him a love letter or a book report?

And guys, learn a quick lesson. If you're gonna be tricking, that cell phone is like a portable incriminating evidence device. Girls can use the GPS to figure out where you were, track numbers and messages to figure out who you're with, and if you got a video camera, that can be used as surveilance footage. Your girl be flipping through your pictures like
—"who is this b---- you're hugging up on?"
—“Baby, that's me and your momma at the Christmas party. Why you trippin?"
—“I'm gettin suspicious.”

Guys, if you're drunk dialing your booty call on your own cell phone, that's on record somewhere. When you're done, you might as well mass text everyone saying “I'm a douch. I'm drunk dialing and when my girl sneaks through my phone records at the end of the month, you'll be getting this same text message from her phone.”

Girls ain't playing. My girl keeps a tight grip on my cell phone, like it was a crack pipe. She grabs it as soon as I walk in the door like "Lemme see that thing!” Checks every text and questions it like "Who is this Denise b---- texting you at 10:30 at night?"
—"Baby that's my sister you know that"
—“Well, tell her not to be texting so late. I'm gettin' suspicious."

Those are my three least favorite words these days, "I'm gettin' suspicious." My girl always uses that one.

Because girls know that phone should be on your hip, and if it's not, it's because your pants are off. So they know you better pick up by that fourth ring. Otherwise they're saying "I'm getting' suspicious."

But back to Chris Brown, it's like dude needs to pay attention to his elders. That's the problem with the new R&B artists, they don't take enough lessons from the old school, man.

I guarantee you, that would not have happened to Smokey Robinson. Smokey woulda laid it down all smooth like "Mistakes, I know I've made a few/ but I'm only human, you've made mistakes too."

Chris was singing to Rihanna like "She want that slappy-slappy, that fist-fist/How many times I gotta tell ya stop (in a high pitched voice) playin with me.”

And when the cops was coming, he's singing "Let me see if If run it, run it/I better just run it, run it."

That wouldn't have happened to the old school artists, well except for Al Green. Chris is just lucky he didn't end up with a bucket of hot grits on his back.

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Friday, March 20, 2009

El P vs. Tren Reznor/NIN = Whoa

Over on El-P's Twitter account (twitter.com/therealelp), he just dropped a few remixes produced by none other than Trent Reznor.
A link to three tracks is up on his twitter account right now. No telling how long they will stay up.
Of the three tracks, "Up All Night (survivalism mix)" has resonated the most with me so far. With throbbing, synthetic kick drums and scorching riffs, El's cutthroat verbiage bleeds into Reznor's chaotic web of guitars and computer bleeps. El's verses reach a crescendo leading into Reznor's panicked chorus that blends seamlessly into "Vesseltology."
I interviewed El about two years ago when his first collaboration with Reznor was released, on the album "Ill Sleep When You're Dead." El was really proud of the work and sounded pleased to have the relationship he had with Reznor. Glad to see that relationship has lasted and led to more dope music.

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Thursday, March 19, 2009

New Mos Def album "The Ecstatic" commercial

Mos Def - Words - The Ecstatic - in stores Spring 2009


Just got this from Okayplayer.com. Looks like The Mighty Mos Def could be dropping his album on schedule, June 9. Can't wait for "The Ecstatic."

It's been a minute since "Tru3 Magic" dropped, which I think was very underrated. Of course, the man's been busy piecing together a serviceable (if not altogether underwhelming) acting career, but I'm not really checking for his name up on a movie poster. Hopefully, he's going IN on this one.

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Tuesday, March 17, 2009

New Abstract Rude song = Very good



One of my favorite MC's from the Good Life/Project Blowed circle, Abstract Rude, has a new album coming out through Rhymesayers Entertainment.
"Rejuvenation" is Ab's solo debut with Rhymesayers. Honestly, it's been way too long since this guy released something. And the press release says Vitamin D is producing the entire thing! Good news (although I'm only sorta bummed that Ant isn't getting in on this).
The title track is also the album's first single. Sample the goodness below.

http://www.rhymesayers.com/radio/audio/Rejuvenation.mp3

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The Beat Video Blog w/Ghambit and August Sky

Now playing in the media player to the right are the following interviews with local artists.


Ghambit is a member of Ineffable Music Group, a Santa Cruz/Bay Area based music camp fronted by talent manager Igor Katz. Ghambit reps Watsonville and recently released his first solo project, "Putitinthaair Vol. 1." He was a member of the Warlordz with fellow SC-area MC Sincere and the late Almighty Aziz. Ghambit is a candid, boisterous and overall pleasant dude, and he opens up a lot on the passing of his homie Aziz. I gotta take this time also to correct myself, as I misspelled his stage name in the print edition of The Beat (my bad).



August Sky is a three-piece kids rock/blues band. Members are from Salinas and they play classic rock (Zepplin, Hendrix) mixed with the blues (Muddy Waters, BB King). These kids are some of the most talented yet humble musicians in the area. They have a few shows coming up,and you can check out all the info @ www.myspace.com/augustsky.

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"American Gangster" w/Mac Dre & Romper Room Gang


Late pass. This has been floating around for a minute, but it's definitely worth a look.
I interviewed J-Diggs last year (you can read the interview here) and he talked about this. Interesting to see it come to life. As we all know, Mac Dre was murdered more than four years ago, and his legacy looms larger than ever.
This "AG" piece is fascinating for a number of reasons, but Peninsula residents might be intrigued by the inclusion of our very own Seaside Stretch, C.O.O. of Thizz Entertainment. Stretch is a local hero of sorts, having come up with the entire Thizz crew and now working as Mista F.A.B.'s manager (Fabby is also featured prominently in the doc).

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Monday, March 16, 2009

Sledge Grits Band doesn't make Round 2 - What were voters thinking?


The Sledge Grits Band on the set of the CBS Early Show


Major bummer, but the girls from Sledge Grits Band did not make it to the second round of CBS Early Show's "Singing Family Face-Off." They were topped by J4 of Tennessee in online voting.
Personally, if it was based on performance alone, Sledge Grits killed it. It was over from the moment MiMi Sledge slid over to the judges panel and belted out "Reach Out and Touch (Somebody's Hand)" with a voice stronger than her deceitful 8 years of age. It was OVER!
Alas, it wasn't meant to be. The girls are home now, exhausted, but still proud of their achievement.
"When we were performing I was so excited,” said Keiko Sledge, the 14-year-old bassist. “You have these three judges in front of you who were expecting us to bring it. I just looked at my three sisters and said let's do it!”
It was done, but sadly, they deserved better.

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Wednesday, March 11, 2009

Sledge Grits Band in NYC - Day 3

Editors Note: Special guest blogger Wendy Sledge, band mother for the Sledge Grits band, gives a quick report on the band's Wednesday morning performance on the "CBS Early Show."

When we got off the stage, we got a pretty amazing response. The girls are just so excited and happy. You couldn't see it on camera, but the whole studio enjoyed it.

At first the girls were nervous watching the other band, because they had choreography in their set. But I think we did alright.

We didn't expect (Kathy Sledge, a member of Sister Sledge and one of the panel judges) to be there, but we knew she has been one of the judges. It was exciting to see her there.

MiMi made (Kathy Sledge) cry. You know how she walked to the judges station during the performance? She started to cry. The cameras tried not to show that too much. Afterward, (Kathy Sledge) came up to us and gave the girls all hugs and said we did great.

I have to go now, we're at the airport. It's been a crazy day!

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Sledge Grits Band perform on CBS Early Show - WOW!



Speechless. I am without speech.

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Tuesday, March 10, 2009

Sledge Grits Band in NYC - Day 2

Editors note: Today is day two of the Sledge Grits Band of Salinas's trip to New York City, where they are gearing up to perform on CBS Early Show. Band member Keiko Sledge and mom Wendy Sledge give us this special blog report:

Keiko:

Today we woke up early and we went and had breakfast with the producers of the show and the band we are competing against. That was really fun meeting with everybody.

We went over to the place where we would be rehearsing, CBS studios. We rehearsed there, we watched the other band. They were really good.

We got to hear how it sounded on actual TV. It was pretty cool in the studio.

After that, we went out into the city. We went into FAO Schwartz. We looked around, went window shopping. Then we came home and relaxed and rehearsed.

In the recording studio, at first, we rehearsed on the actual stage that you would see in the segment. It was on the revolving stage they set up. I didn't expect so many people to be around. They had lots of producers and lots of people helping. There was lighting and sound people and it was so cool. We got to experience how the microphones work and how the studio works.

I was expecting to have to set up my own stuff, but we didn't. They did it for us.

Meeting the other band was really fun. They're all right around our ages. It goes from age 6 to 7 8 t 9, then there's a gap. Then it goes from age 12-13, 14-15.

We were amongst the kids. There wasn't any real competition amongst the kids. We got to listen to each other, they were really supportive of our stuff and we were really supportive of their stuff.

All I can say is the songs we are both performing are pretty different. They are both gospel of course, but besides that they're pretty different.

We are in for the night. I think we're going to order in again. We are just rehearsing what we can. We're trying to talk momma into letting us walk around, but she wants us in bed early. We have to be in the studio by 5 am., so we'll be up really early about 3 a.m.

We're going to be really excited tonight. We're going to turn off all the lights and I'm sure momma is going to tell us be quiet, be quiet. Besides that, it's been a long couple of days with the time changes and everything, so I'm sure we'll be able to get some sleep before tomorrow.

Wendy

We got up early and went to have b fast. it was nice to put a face to the names of some of the people we've been speaking to the last month.

The other band were really nice people.

We went to the studio. It's just amazing. They have amazing sound people over there. We got the girls all situated.

In the studio they practiced their song. It was actually quite quick that they got the stage down and everything. I think people are going to like the performance tomorrow. They've changed it a little bit, it worked out really well.

From there, they had taken the kids earlier in the day to Central Park. It was just a trip that right in the middle of this big old city was this big old park.

Just taking the kids to the toy store, that was really fun. They had the best time.

The other band's song is a little more different than the girls. They chose more of an upbeat song. We have more of a vocally driven song.

The other band goes second. We go first. We flipped a coin and I lost.

At first I thought it was going to put us at a disadvantage, but I think it's going to be to our advantage going second. As long as the girls hit the song, i think they'll have a little bit of an edge.

It's time to settle in and maybe just watch some TV for a little bit. It's about 7 p.m. right now

It's so funny. Last night, the alarm clock in the hotel room wasn't set right. It started up at 12 a.m. My husband and I were on edge, so we both jumped up out of bed. It feels like every time we close our eyes the alarm clock goes off. That kind of goes to show the kind of week we're having.

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Monday, March 09, 2009

The Sledge Grits Band in New York City - Day 1


Photo by Orville Myers/The Herald


Editors Note: Special guest blogger Keiko Sledge of the Sledge Grits Band of Salinas is reporting live on the scene from the band's trip to New York City. The band will perform Wednesday on the CBS Early Show as part of the "Singing Family Face-Off" competition. Keiko will blog throughout the week as the band prepares for its national TV performance debut.

We're at the hotel right now. It's called the Hensley Park Lane Hotel. It's across the street from Central Park. It's really, really pretty. If you look out the window, you can see all the beautiful buildings, but (the park is) on the other side of the building. Right now it's night time, so it's so beautiful.

Our day started off when we woke up at about 3 a.m. and we got out the door. Our friend drove us to the Monterey Airport. We got to check in really early just in case there were any delays. We got there about 4:30 a.m. The plane left at 6 a.m. From there, we went to the Denver Airport in Colorado. That one left at 10:50 a.m , from there, we left and headed straight to New York City

When we got here, it was so amazing. Someone came and picked us up and brought us here and the hotel is just beautiful. It's been so much fun so far. We're just getting settled in.

For dinner, we ordered in and we used room service because the babies (younger sisters MiMi and BoPah) were real excited to have room service. We're just relaxing right now because it's been a real long day. We're going to rest for tomorrow. We're going to meet with the producers tommorrow.

Tomorrow, early in the morning, were going to have breakfast with the producers and meet with the other band we're competing with. Then there's a rehearsal. We're going to make sure the settings are right and do a sound check. Then there's lunch. After that, we have the rest of the day and see what's out here.

We don't have any ideas (where we're going sight seeing). We're looking at that right now. I know there's some zoos and parks and huge buildings. We're still trying to figure out what we want to see because we're only here for a limited time.

The weather is actually pretty cold. It's really cool, a little cloudy, but it's not raining and that's good. It's pretty tolerable.

I was so excited when we were flying here. I was just thinking ”Oh my goodness! I cannot believe we are on our way to New York and we're going there to perform.” I was feeling a whole bunch of feelings. I was proud. I was anxious. It's exciting.

I'm pretty tired right now. I'm really too excited from getting her to be too tired, and I got to sleep a lot on the plane. We all got to sleep a lot on the plane. But I am excited.

I just want to say that I hope that everybody who ends up seeing our song likes it and we've been working really hard.

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Thursday, March 05, 2009

So anyone heard anything new about this Chris Brown/Rihanna thing?

So, we finally have some details on the whole Chris Brown/Rihanna situation, painting a picture that is likely to stay up for a little bit longer.

Me and my girl have been going back and forth on the subject the past few weeks now. She's squarely in Brown's corner, arguing that she probably did something to provoke his behavior. I've been on Rihanna's side, reasoning that regardless of the circumstance, right or wrong, you just can't leave your girl bleeding and unconscious on the side of the road for police to find her. Just don't do it homie!

We now have some more details on the incident: she found a text from another woman, flipped out, he apparently went berzerker and started hitting her while driving, an odd site to consider if you were to somehow be walking by and witness it ("hey, is that chris brown and rihanna beating each other up in a Lamborghini?"). The whole thing is just sad because human emotion is such a fragile thing.

I won't pass judgment on the boy because we are all innocent until proven guilty. Likewise, I won't drown myself in sympathy for Rihanna because in all relationships, there are right ways and wrong ways to deal with things. I'm merely a (rather distant) observer, awed by the sparks of this celebrity supernova.

I really just hope some sort of positive outcome reveals itself from all this, although I can't imagine what that could be right now. Sometimes the best thing is for everything to just go away on its own and let people heal. Given the colossal attention this thing is getting, that's the least likely scenario.

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"Hoodie" and other reasons I can no longer stand hip-hop slang in the American cultural lexicon

So, I'm reading a police report on a recent bank robbery in North Salinas. Serious stuff, with the robbers pulling an old fashion "put your hands in the air" (minus the wave them like you just don't care) type of heist.
I was drawn into the report right up to the point where the story said “The robbers, both wearing hoodie sweatshirts...”
Hoodie sweatshirts? Really?
I've read enough news wire stories on the "hip-hopification" of the American lexicon to understand and not be shocked by such word usage. And maybe hoodie itself isn't the most egregious usage of slang, but here, it just struck me.
Maybe it's because hoodie rhymes with woodie, and both words just seem silly/borderline juvenile to me.
I think the first time I ever even heard the word "hoodie" I'm pretty sure was in a Das Efx song, and they were using it just so it could rhyme with "Sam Goodie," which sounds even more silly if you connect the dots.
Like, if hoodie makes it into the Oxford dictionary (and who's to say it hasn't already? I'm too lazy to look it up) will the origins be rooted back to one of the Das Efx , figgety-wiggety guys?
Maybe I should call for a moratorium on all unnecessary hip-hop slang, beginning with hoodie and it's root ('hood is no longer acceptable)and extending to bling, whole sale phrases like back in the day, and any story reference either to Chuck D calling rap music "The Black CNN" or identifying 50 Cent as "Fiddy."
Enough is enough, people.

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My first professional fellowship

I'm not one to trumpet my own arrival anywhere, but I'm pretty pleased with one recent career development: my first professional journalism fellowship.
Yours truly was chosen to participate in the National Endowment for the Arts (NEA) Arts Journalism Institute in Theater and Musical Theater.
Applause everyone.
For 10 days in April, I'll be working at the USC Annenberg's School of Journalism. Going to plays, attending writing workshops, and working one-on-one with prominent journalists in a master class are all part of the package.
My initial reaction was excitement. That has been doubled up as I learn more about the NEA and their mission to bring arts to everyone, from the big city to the small town barrio.
Corny as it may sound, I really believe the arts can have a positive effect on communities dealing with gang violence and other social ills. I'm honored to now be involved with an organization that seems to recognize this as well.
April's going to be an exciting month.

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Wednesday, March 04, 2009

Sledge Grits Band to sing gospel on CBS Early Show


Watch CBS Videos Online
The four young girls sat anxiously in the KION television studios, dressed to impress, even though it was three in the morning.
Making their national television studio debut, the Sledge Grits Band of Salinas were up at 3 a.m. to learn they would be singing gospel music next week in front of a nationwide audience.
The girls appeared this morning on the CBS Early Show, the nationally televised morning news and variety program. Their spot was broadcast via satellite from the local CBS affiliate studios in Salinas.
All four members, Keiko, 14, Kariel, 12, "MiMi" 8 and Kelly Jo, 6, were up well past their bed time (or well before their alarm clock settings)to find out what genre of music they would perform on the show. Show hosts Harry Smith and Julie Chen spoke to the girls and their opponents, J4, a band of siblings from Tennessee.
Chen spun a wheel to pick which genre both bands would be performing. When it landed on gospel, both bands were jolted with excitement.
Sledge Grits Band has performed gospel music before.
“We love gospel music and it's been around our house since we were little,” said young Keiko, without the slightest hint of irony.
Their opponents are also pretty familiar with the style — their father is a pastor and a traveling gospel singer.
“Divine intervention,” cracked Smith.
The band will have five days to rehearse their song before heading out to New York City next week. On March 11, they will make their national television performance debut and vie for a shot at a recording contract with CBS.
Despite the early morning rise and seeming opponent disadvantage, the girls carried themselves with grace.
“We're confident,” said Keiko.
Without question.

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Tuesday, March 03, 2009

"The Beat @ Wave St." w/ Young Pome


Now streaming in the media player to your right is the latest episode of "The Beat @ Wave St." This week, we chop it up with Young Pome, season 3 winner of Jammin' 97.9's Open Mic competition.

Pome talked about winning the competition as well as his hustle trying to make name for himself as a young artist in the 831. Clips of his performance are also cut between the interview. Enjoy.

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The Roots on Jimmy Fallon — quite good, actually



Stayed up for the opening monologue of "Late Night with Jimmy Fallon" last night (couldn't make it past the intro, too tired).

I mainly watched to check out The Roots, my favorite band of all-time. Lots of critics and bloggers etc. have been questioning their move to a late-night talk show, but I think it's great. The band is actually fit for such a gig, given their versatility (not just hip-hop, these guys can do jazz, funk, even hardcore). Plus, Dave Chappell's ex-writing partner, Neal Brennan, helped get them on the show, so that's a plus-plus.

The band sounded good, dare I say great, but really showed their potential during the closing bit in the monologue called "Slow Jamming The News." Dropping a thick love jam, Fallon gave a faux-R&B treatment to a joke on the stimulus package, while Black Thought crooned/testified ala Teddy Pendergrass in the background. It may take a few more tries, but that could become a fun running bit.

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Thursday, February 26, 2009

Sledge Grits Girls Band on CBS Early Show March 4, 11


Talked yesterday with Wendy Sledge, band mom/manager for the Sledge Grits Girls Band. The band was recently picked in the top six for the CBS Early Show's Singing Family Faceoff competition.
The girls will appear on the morning show sometime between 6 a.m. and 10 a.m. Wednesday, March 4. They will fly to New York City on March 9 and perform on the show March 11. Fans will do an online vote to determine the best band.
For more information and rules on the competition, as well as videos of all the contestants, click here

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808 Band/Deuce Eclips live in San Jo tonite!


Gabriel McDowell is a former Peninsula resident and now, among other titles, plays drums with the South Bay's 808 Band. He's a cool dude and I've had a lot of nice e-mail exchanges/interaction over the past couple of years.
He sent this my way yesterday. It's a little late to be posting up, but if you're itching for a funk fix, a cruise up to the 'Jo will cure your ills.
Above is a video of the band performing with one of my favorite Bay Area MC's, Deuce Eclipse.

808 Music presents “Sound System” Live beats, DJs, MCs, Good times!

Performing live! Dublin with The 808 Band, Deuce Eclipse, Abel Abilities, DJ Ichy The Killer

Thursday, February 26, 2009 at The VooDoo Lounge, 14 South Second Street San Jose, CA 95113, 408.286.8636, 9 pm 21 +

www.voodooloungesj.com
www.808music.com

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Wednesday, February 25, 2009

"Guitar Hero Hero" by MC Lars



MC Lars just released this video for his first single "Guitar Hero Hero" off his new album "This Giant Robot Kills." Fun Stuff.

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MC Lars new album "This Gigantic Robot Kills" — Cop that now!!!


So, big blunder on my part. I forgot to mention "The Beat's" longtime friend MC Lars has a new album out, and it's pretty exciting and dope at the same time.
"This Gigantic Robot Kills" is the latest, greatest release from the inimitable MC Lars , chock full of web bangers and special guest shots from "Weird Al" Yankovic (!), ytcracker, Wheatus and others.

He's also got a slew of club dates on the horizon. Here's his tour sked.Check him out if you can.

Club Panama (with MC Router, YTCracker and Beefy)

Marscon 2009

Who: MC Lars
Where: Bloomington, Minnesota
When: Saturday, Mar 7 2009, 3:00 PM

Amoeba Records (LIVE IN STORE PERFORMANCE AND SIGNING)

Who: MC Lars
Where: San Francisco, California
When: Thursday, Mar 12 2009, 6:00 PM

SXSW - Prague (with MC Frontalot & Jesse Dangerously)

Who: MC Lars
Where: Austin, Texas
When: Friday, Mar 20 2009, 1:00 AM

The Cockpit (with the Aquabats)

Who: MC Lars
Where: Leeds, East
When: Tuesday, Apr 14 2009, 8:00 PM

The Cathouse (with the Aquabats)

Who: MC Lars
Where: Glasgow, Scotland
When: Wednesday, Apr 15 2009, 8:00 PM

O2 Academy Islington (with the Aquabats)

Who: MC Lars
Where: London, London and South East
When: Thursday, Apr 16 2009, 8:00 PM

Cantor Art Center (performance of the Mark Applebaum "Metaphysics of Notation" piece)

Who: MC Lars
Where: Stanford, California
When: Friday, Jun 12 2009, 3:00 PM


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Tuesday, February 24, 2009

My Music Video Directorial Debut: "Classic Style" by The Joint Venture



Yeah, sort of shameless plug, but Joint Venture are a dope group. And let's face it, I made a pretty dope video. Holla back.

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Should radio stations pay for music?

I ran across a news brief talking about musicians Sheryl Crow, will.i.am, Herbie Hancock and other testifying before congress their belief that radio stations should pay royalty fees for playing their music.
The musicians site other mediums — satellite radio, television and internet — that pay royalties for playing their music. The musicians feel radio should do the same.
Seems to me musicians may be aiming a shotgun barrel at their own big toe with this one.
If congress were to enforce such a plan, my guess would be that: A) radio stations would not pay for the music and, thus, stop playing artists music or B) stations would strike deals with record labels to get the cheapest content and thus, shut out those that don't play ball.
It's a difficult balance, because on one hand, musicians should be compensated for their work. It's tough to make a living off your art.
On the other hand, radio stations, despite the inherent evil of some conglomerates, would be hard pressed to pay artists for their music and their own employees. People would lose jobs. Stations would fold. Guarantee it.
It's a tough decision to make, and I'm glad I don't have to make it.

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Monday, February 23, 2009

Former North Salinas High School student Dustin Lance Black wins Academy Award

He spent part of his childhood in Salinas and now Dustin Lance Black is an Academy Award winning writer.
Black won in the Best Original Screenplay category for his work on the film "Milk" which also earned Sean Penn a best actor trophy for portraying the slain civil rights activist Harvey Milk. In his speech, judged by some Hollywood writers as the most eloquent of the night, Black gave a nod to his family, Milk, and the spirit of the gay rights movement.

"I want to thank my mom, who has always loved me for who I am . . . ," he said. "But most of all, if Harvey had not been taken from us 30 years ago, I think he'd want me to say to all the gay and lesbian kids out there tonight who have been told that they are less than by their churches, by the government or by their families that you are beautiful, wonderful creatures who have value. And that no matter what anyone tells you, God does love you."

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"The Beat" on Twitter

"The Beat" is now on Twitter.com, which means technically I could be posting up remotely from, say, an Eddie Money concert or while I'm watching "I Love Money" on VH1. These are exciting times to be alive.

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SoMoCoCAT Video


The South Monterey County Center for Arts and Technology (SoMoCAT) is off and running. It's an effort to bridge the digital divide in South County, where residents don't have a whole lot of access to digital media technologies. Pretty cool stuff.

Here's a quick note from Megan Heath, who is helming the effort:

Please check out the progress of our SoMoCoCAT Pilot Program, the Dare to Dream "I Video!" digital storytelling workshop for South County teens. We posted a video on the SoMoCoCAT website that we made during the first day of class on February 14th: https://sites.google.com/a/somococat.org/www/SoMoCoCAT-Home. Please note it's very rough but it was just a class exercise that was designed to introduce the workshop participants to the basics of video.

Our second meeting was Saturday, the 21st and we gave workshop participants Flip Videos mini camcorders to take home with them for the week to shoot their video. The theme of the video is, "What would you like the world to know about living in Soledad?" I can't wait to see what they come up with when we meet this Saturday! when we will start editing what they shot.

Stay tuned for the video we made during the second day of class last Saturday.

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Thursday, February 19, 2009

The Beat Video Blog w/ Pep Love of Hiero

I interviewed Pep Love of Hieroglyphics last week @ Wave St. Studios in Monterey. Here's the finished product. I hope you enjoy it. "The Beat" Video Blog is back in full effect, Boyee!!

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Wednesday, February 18, 2009

More Pep Love @ Wave St. Studios


Pep Love @ Wave St. Studios from Marcos Cabrera on Vimeo.

A much shorter video of Pep Love performing @ Wave St. Studios. Pep is just smooth as silk when he rhymes, que no?

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Tuesday, February 17, 2009

Video: Kanye West f/ Kid Cudi "Welcome to Heartbreak"


KANYE WEST "Welcome To Heartbreak" Directed by Nabil from nabil elderkin on Vimeo.
Very cool video and a dope song. Holla!

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Pep Love "Pacific Heights" live @ Wave St. Studios


Pep Love "Pacific Heights" from Marcos Cabrera on Vimeo.
Here's the first video of Pep performing Friday night @ Wave St. Studios. I'll try and post another one soon.

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Monday, February 16, 2009

Pac Grove Native Gina Prince-Blythewood wins 2 NAACP Image Awards



Sort of overlooked locally, but PG High School grad Gina Prince-Blythewood took home two NAACP Image Awards last week for her work on the film "The Secret Life of Bees."
Prince-Blythewood was presented with the awards for Outstanding Motion Picture and Outstanding Directing in a Motion Picture (Theatrical or Television). Her film was also nominated in a number of acting categories as well, although took none of the awards in those categories.
Prince-Blythewood's mom called in this morning to remind us of her baby's big wins. Props out to Mama Maria Prince for raising such a talented woman.

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Live: Pep Love @ Wave St. Studios



Pep Love of Hieroglyphics showed up in Monterey on Friday night. Crazy, I know, but it did happen. I have photos and video to prove it.

Performing live @ Wave St. Studios, Pep did about 10 songs, stuff off his album "Ascension" as well as his work on the Hiero albums "Third Eye Vision" and "Full Circle."

The highlight was "Pacific Heights" his ode to the West Coast landscape, which seemed a perfect fit performed in Monterey. Talking about the scenery of the Pacific Ocean made a lot of sense on the Peninsula.

I got video coming, but you'll all have to settle for this dumb-looking photo of me in the meantime (Pep looks cool, but I wind up looking like Sloth from The Goonies).

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Thursday, February 12, 2009

Asher Roth - "I Love College"


The boyz @ "WeYowzers" posted this earlier in the week, but I'm just getting around to posting it myself after Asher's publicist sent it out today. Apparently, it's going into roto @ MTV and has made a considerable jump on the iTunes charts.
Get ready folks, because we could have a considerable hype monster on the horizon. Asher is actually kinda nice on the mic, judging from the "Greenhouse Effect" mixtape. This song is a bit pandering to his target demo, but if it works, it works.

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Tuesday, February 10, 2009

Free Download: J. Period and Q-Tip, The {Abstract} Best Volume One



The Abstract Poetic, Q-Tip, has a new mixtape out with J. Period. "J. Period and Q-Tip The (Abstract) Best Volume One" is 40-plus tracks of classic joints, remixes, tributes from today's rising artists (Blu, Kid Cudi) and old-school vets (De La Soul, Big Daddy Kane).

So Ooo-dat, doo-dat, doo-doo-dat-dat-dat.

Download: J. Period and Q-Tip The (Abstract) Best Volume One

http://www.jperiod.com/q-tip/

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Terence Blanchard, Monterey Jazz Festival win Grammy Award


Here's the press release from MJF regarding Terence Blanchard and the festival's recent win at the Grammy's.

Terence Blanchard’s Win For “Best Jazz Instrumental Solo”
From Live At The 2007 Monterey Jazz Festival
Is Historic First For Label


February 10, 2009, Monterey, CA; The Monterey Jazz Festival is proud to announce that Terence Blanchard, the Festival’s 2007 Artist-In-Residence, has won his fourth Grammy, winning “Best Jazz Instrumental Solo” for his performance on the classic Dizzy Gillespie composition “Be-Bop” from the recording Live at the 2007 Monterey Jazz Festival by the “MJF 50th Anniversary All-Stars.”
Nominated alongside his MJF All-Stars band mate, saxophonist and NEA Jazz Master, James Moody, Mr. Blanchard won the prestigious award on February 8th in Los Angeles, garnering the first Grammy for Monterey Jazz Festival Records.

"I'm very honored,” said Mr. Blanchard at the awards ceremony, as reported in the San Diego Union-Tribune. “I'm mostly honored because I was in the same category with James Moody. Winning this award means a lot to me because we were on tour for 10 weeks and I got 10 weeks of music lessons from a genius of our times. So I'm going to accept this on behalf of James Moody."

The Grammy is the first major award for the two year-old Monterey Jazz Festival Records, an imprint of Concord Records. The label’s previous historic releases, including never-before-released live sets from Miles Davis, Dave Brubeck, Shirley Horn, Art Blakey, Thelonious Monk and more, have garnered high praise and stellar reviews from DownBeat, JazzTimes, the online magazine Slate, New York Sun, Wall Street Journal, Boston Globe and San Francisco Chronicle, to name a few. Monterey Jazz Festival Records has released thirteen records since August of 2007.

Live at the 2007 Monterey Jazz Festival is the first non-archival release from MJFR, and was recorded in the Night Club on the Grounds of the Festival on September 23, 2007. Collectively known as the “Monterey Jazz Festival 50th Anniversary All-Stars,” this stellar group of three generations of jazz masters included James Moody on saxophone; Terence Blanchard on trumpet; Benny Green on piano; Nnenna Freelon on vocals; Derrick Hodge on bass; and Kendrick Scott on drums. The band made two appearances at MJF/50 in 2007 and appeared in a nationwide, 52-date tour across twenty-two states in the first quarter of 2008, performing for over 43,000 fans.

"Monterey Jazz Festival Records is proud of Terence's award and proud to present the best performances of yesterday, today, and tomorrow, captured live at the Monterey Jazz Festival,” said Jason Olaine, General Manager of Monterey Jazz Festival Records. “This all-star recording from 2007 marks only the first release in a series of new, MJF-exclusive, all-star collaborations that we hope bring joy to more than just the Monterey concertgoer.” The next Monterey Jazz Festival Records release will be a first-ever collaboration between bassist Dave Holland, pianist Gonzalo Rubalcaba, saxophonist Chris Potter, and drummer Eric Harland, who also recorded live at the Festival in 2007.

The 52nd Monterey Jazz Festival will take place September 18 - 20, 2009 and will feature a roster of jazz legends and talented newcomers alike. For MJF/52, the Festival has named as Artists-In-Residence the New Orleans-born trumpeter and multiple Grammy Award-winning and Pulitzer Prize recipient, Wynton Marsalis and the Jazz at Lincoln Center Orchestra. The full roster for the 52nd Monterey Jazz Festival will be announced on March 30, 2009; tickets will go on sale the same day. Updates can be found on the web at www.montereyjazzfestival.org.

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Mistah FAB freestyles from hospital gurney


Mistah FAB, his DJ and his manager, Seaside native Stretch (aka Seaside Stretch) were involved in a car accident last week in L.A. All three survived, but Stretch broke his back and FAB was hospitalized with some injuries as well.

Here's a video of FAB freestyling live from the hospital gurney. I'mma hopefully track down Stretch and get some comment, so stay tuned. In the meantime, get well soon to the three accident victims and always wear your seat belt!

(Shout out to the folks @ Nation of Thizzlam, where I ganked this post as well as for providing the Incredibad link yesterdaze).

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Monday, February 09, 2009

Joan Baez interview: denied

One of the most frustrating aspects of being a journalist: being denied an interview request.
Us journalist writers are an extremely sensitive bunch, but it hurts extra when the subject in question does it for no apparent reason. Such was the case today when Joan Baez's publicist rejected my interview request today.
There was no explanation, just a simple "Ms. Baez won't be able to do any interviews." Polite thank yous were exchanged, but afterward, I was kind of heated.
"I bet if I told her I was organizing some sort of tree sitting, she would have popped up on a third line right then and there" I thought to myself.
I was persuaded to play the race card too: "I'm a Chicano journalist, and knowing Ms. Baez's Mexican-American roots, as well as her role in the early Chicano/UFW movement, I think she might want to reconsider her decision."
But no, just a simple decline to talk. That sucks.
To quote my editor "Maybe you should have said you were Richard Farina."

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Reasons I love FCWB's part 2: Nitro Circus


Johnny Knoxville and co. have a new show, "Nitro Circus," that premiered Sunday night on MTV. Starring All-World X-Games Moto X champ Travis Pastrana and his merry band of back road pranksters, this is some of the funniest, craziest stuff I've seen on television. I'm a retired adrenaline junkie, but the stuff they do is just insane and makes me laugh in high-pitched, "I can't believe this stuff" tones.
My favorite scene from the premier: Pastrana pops open a can of Red Bull and looks into the camera saying "I hope this stuff works" before jumping out of an airplane with no parachute! The line alone is classic.

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Reason I love crazy white boys pt. 1 — Incredibad "I'm On A Boat" and "Santana DVX"


I keep my Xicano pride credentials on full display at all times, but I can't front, I've always been down with the white boys. And I know I sometimes get in trouble when I talk like this, but it's just true.
I got a few reminders of why crazy white boys have always held a soft spot in my heart this past weekend. Yay Area representatives Incredibad (the hip-hop group created by the Lonely Island comedy troupe, aka Andy Samburg's crew) unveiled their latest digital short, "I'm on a Boat" on SNL this past Saturday.
Only funny crazy white boys (from here on out referred to as FCWB's) would think to A) rap about the intrinsic dopeness of yachting, and B) invite T-Pain along to sing auto tuned on the hook.
For added gangsta, I'm including a link to a leaked song on their upcoming album, "Santana DVX." Leave it up to the FCWB's to rap about Carlos Santana's sparkling champagne (I'm Mexican, and I didn't even know this stuff was out there. Shame on me) and invite E-40 to rap about it!

Incredibad ft/ E-40 - "Santana DVX"

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Grammy's Post-Game Report

Watched most of the Grammy's last night, although I admit I flipped between that and "Nitro Circus" (review of that shortly as well). Here are some random thoughts, in random order of appearance last night:

- Kinda hard to watch some of it last night knowing Chris Brown and Rhianna were going through some sort of drama. That's just sad news all around.

- I was a disappointing 1 for 4 in my Grammy picks, but I'm happy Adele took home best new artist. I should have known that Krauss and Plant would win the geezer vote.

- Plant looked like the dirty tio hugging and kissing Miley Cyrus (twice!) and Taylor Swift on stage.

- That whole "Rap Pack" thing, with TI, Jay, Kanye and Wayne throwing down in black and white looked off. The tuxes were retro enough, we didn't need the tint filter on screen for half the performance.

-Glad M.I.A.'s water didn't break during the show. My girl insisted she would only look about four months pregnant on stage, because none of those starlets want to gain sixty-plus pounds during their pregnancy. M.I.A. looked pretty big, and that lady bug outfit didn't really do her no favors, but you gotta give her an A+ for effort, she was throwing down with the guys like nothing.

- I apologize for that previous assessment of M.I.A.'s outfit. Geez, I'm sounding like an E! blogger or something.

- Neil Diamond was up there winning! Holding it down for all the aged rock stars who look like your high school biology teacher.

- It was nice to see Adele up there singing as well, but she kinda got murdered on her own song by that Sugarland girl. She handled it well enough, thankfully.

- My girl was kinda arguing with me at the moment, so I didn't really get to listen to Jay and Chris Martin duet on "Lost." Jay looked stiff the whole night, sporting the b.b. mini-fro and looking like your wise but mean uncle. I'm still excited for "Blueprint 3" though.

- Most of the performances were pretty underwhelming. Save for Radiohead, who just blow me away every time I see them perform live (although I've yet to see them in person. That will have to change eventually).

In case you didn't catch it, here's their performance.


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Saturday, February 07, 2009

Happy Birthday J-Dilla


James Yancey, aka J-Dilla, was one of hip-hop's rarest talents. A producer/MC, his work influenced a generation of artists who respected his innovative beat-making techniques, mimicked his original style, and borrowed freely from his influential career.

He passed away three years ago, and today would have been his 35th birthday.

Below is recording of his first live performance with Madlib, collectively known as JayLib. Their album "Champion Sound" is one of my all-time favorites (along with Dilla's 2002 CD "Welcome to Detroit"). Respect the architect, RIP Dilla.

https://www.stonesthrow.com/jukebox/jaylib-first-show-2004.mp3

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Friday, February 06, 2009

Amped Up Music Festival coming to Salinas in March!


Longtime friends of "The Beat" Delirio (I'm talking way back to the Alisal High Trojan days) are putting together a pretty cool music fest in March.
"Amped Up Music Festival" is bring some heavy hitting Rock En Espanol to the area. Salinas is quickly becoming a pretty viable market for Spanish Rock, so this music fest could be a really good, fun thing. I'll keep you posted on developments and we'll get some more stuff with Delirio and the other bands in the coming months.

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Grammy's are this weekend and I will be watching

So, it's Grammy weekend, and normally I don't care. But this year, it looks like they're pulling out all the stops. The "Swagger Like Us" crew (SLU Crew for short) of Jay-Z, Lil Wayne, Kanye West and T.I. will perform with M.I.A., who is pregnant and could induce labor on stage, which I gotta believe would be a Grammy first.

You got Dave Grohl and Sir Paul McCartney scheduled to do some Beatles tunes, which should be nice. I'm sure they'll find some way to commemorate the 50th anniversary of "The Day The Music Died" which just passed this week. And, who can forget, The Jonas Brothers are scheduled to perform. Woo-Hoo.

I'm also kinda hype for Wolverine hosting the event. Maybe he'll bust out his claws and kill some Marauders on stage or something. Probably not — Oh wait, Wolverine's hosting the Oscars. Who the hell is hosting the Grammys again? I forgot. I wish they would let Gary Shandling host again. That guy is funny.

What else? I predict Coldplay will take home a lot of trophies, and Wayne will win all the rap categories but won't sniff any of the major contests (no shot at album or record of the year). Other than that, a surprisingly dope lineup and a Lee "Scratch" Perry performance rumor to boot.

Below, the top 10 reasons to look forward to the Grammys, couresy of your boy Weezy F. Baby.


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This Weekend: Forest Day @ Monterey Live



One of these days, hopefully soon, I'll get something going with Forrest Day here on The Beat. In the meantime, here's a quick video of him performing at Monterey Live last year. These guys do rock all kinds of crazy live, so they are worth checking out. For the lowdown, visit www.montereylive.org.

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Thursday, February 05, 2009

300 Posts and Running...

Yeah, this here marks my 300th Post, which I might have celebrated some time ago but now, seems like not that big a deal.

First off, I've been doing this blog for more than three years, which averages out to less than 100 blogs a year, not bad, but not great.

Second, my boy John Devine has accumulated 300 blog posts in less than a year. Granted, he has a wider net with sports, local and national, plus he crams like 12 hours of work into his daily 8-hour shift, while I have a little more time to craft my stuff as a features writer, but the 300 mark is not that big a deal compared to JD's blog grind.

Mainly, I'm just happy to still be here with a job and doing what I love to do, so 300 posts is a sort of meaningful milestone, but I plan on passing 400 and 500 by the end of the year, so I'll hold off on celebrating.

On a brighter note, this month marks one whole year that "The Beat" has been published in print, which I will have to acknowledge somehow someway in the paper. Hip-hop-hooray for that one!

Oh, and before I go, here's the latest video from Cam'ron. Pretty funny, and I know folks can relate in this economic climate.


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A recent exchange with a reader, regarding my column on Clint Eastwood

Reader critique comes with the territory in journalism. When you lay it all on the line for 35k-plus on the daily grind, someone's bound to have an opinion.
My recent column on the Oscar jury's snub of Clint Eastwood's "Gran Turino" garnered the most response of any column I've written to date, most in agreement with my stance. Cool.
But not all were in favor of my view that Eastwood deserved an acting nod for his role. Below is an exchange between myself and a reader whose initial tone is heated, but chilled out soon after.

Initial response:
MC, sir:
When it comes to film art, concerns around a "possible final acting role" (one can only hope) should not be a factor, lest it cloud objectivity.
Your Torino comments reenforce my decision to NOT see the movie. I do not need any more older crankier curmudgeonly Clintness.
Enough with his squinty glares and grunted tough talk already.
Torino's predictable story line: "Bigoted old fart does simpatico make-over and has feel good epiphany."
As for his "constant analysis on changing America", what's the big deal? A chimpanzee could devine the difference. Poignant cultural details are unremarkable in movieworld.
Kudos to the Academy! They are not artistic slouches. In Torino, unmindful of nostalgia, they recognized stereotypical dreck for what it is.
— A discerning movie-goer for 70 years.

My Response:
Thanks for reading and for taking the time to comment on my story. I respect your opinion.

Best,
Marc Cabrera


His final response:
I want to express my appreciation for your return message. It smacks of Obama's credo of reaching out instead of smacking down.
I admit to being confrontational on this issue. Sometimes I get carried away by my own rhetoric.
My intensity is seasoned partly with personal knowledge of Clint having a one night stand with -----, a dear friend of mine. She was to him a commodity for consumption. Well, what the hey, I indulged myself back in the day; I think it in her case, it was tinged with the big star's wham- bam- thank- ya- m'am syndrome. Overtones of position and power as a tool.
And I suppose there is factored in that Clint is allied with the PebbleB preoccupation with money/property development.
In my calculus I include the photo of him modelling a sweater for Tehama; which in my collegiate days was a virtual uniform for adornment for the pins of the fraternity set, steeped in status and snobbery.
I like that Eastwood is a devotee of jazz, a local touchstone. And who can wrangle with the stats?--- like Torino topping the money charts?
Oh -- one more thing in his favor. My daughter married a man 20 years her senior, which engendered ripples of famiial anxiety. I helped smooth it over by quoting Clint regarding his own marriage; "Well, if she dies, she dies!" Cool.
Cheers.


And that, ladies and gentlemen, is the reason why I love my jobby-job.

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Throwback Thursday: Sheila E. "A Love Bizarre"


Geez, Louis, this song still bangs! I was like 9 when this came out, but I remember it like yesterday.
The video is hot, taken from "Krush Groove" aka "The Story of Def Jam."
Love the Prince ad-libs, too. Pre-dating Jeezy's ad-libs by 20 years also.
This throwback thing probably won't be a regular thing for me, by the way. I just came across this and thought I'd share. Paz.

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Deal of the Day: Portable USB Turntable for $49


Never heard of Woot.com, so I can't vouch for their sales practices, but this looks like a good deal. In case y'all didn't know, the must have item amongst crate diggers is a portable turntable, to take with you and listen to when you're out getting your dig on. This looks to provide both portable play and usb download capability, which, I guess, means, you could potentially walk into a used record store, drop a used album on your portable player, plug it into your laptop, and download the groove right then and there. I wonder if used record stores might have to develop new policies on record listening procedures (or maybe just ban laptops in-store). Who knows, but this thing looks way cool.

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Monday, February 02, 2009

Steve Martin+Banjo= Always funny


On the short list of my top comedians of all-time, Steve Martin, playing a banjo on Saturday Night Live. He's got a new CD, "the Crow: New Songs for the Five String Banjo" available at Amazon.com (it's download only until April).

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Super Bowl XLII: Still Not Bigger Than M*A*S*H

So Super Bowl XLII capped a magnificent back-to-back run for the NFL and its fans, with the second straight last-minute touchdown finish in a row and America's team — yeah, I said it, Dallas doesn't have six rings, and I'm a '9ers fan:( — The Pittsburgh Steelers took home the top prize.
This year's Super Bowl drew more than 94 million viewers, second all-time to last year's game, which drew more than 97 million. Yet both still fall well short of the M*A*S*H finale, which drew 105 million viewers — in 1983!
What gives? I mean, I'm a big fan of Hawkeye, Radar, Klinger and Hot Lips Houlahan as anyone, and I was 6 at the time, so I'm definitely old enough to remember the last M*A*S*H, but bigger than the past two Super Bowls? 25+ years later?
And hat was going on in 1983 that the entire television watching universe had nothing better to do than watch the last episode of M*A*S*H?
I suppose the answer is an obvious nothing.

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